Hamlet: Admirable or Weak? Essay -- GCSE Coursework Shakespeare Hamle

Hamlet Admirable or Weak? In Shakespeares play, Hamlet, the record of Hamlet is often portrayed as a weak-minded individual, whose lack of routine leads to seven unnecessary deaths. This is a valid interpretation, further not a very interesting one. Hamlet is considered a tragedy, just it is also preferably similar to a modern-day murder mystery. As such the roughly crucial plot element is Claudius guilt, or, rather, the extent of Hamlets knowledge of this guilt. One does not know if the ghost is the doomed spirit of Hamlets father or a vision sent from Hell. It is impossible to determine how much Hamlet is awake of, how much can he guess, and how much is he deluding himself. Hamlet is roughly always performed as a tragedy, and Hamlets indecision is universally get intoed as the flaw. If he had only made up his mind, people argue, eighter deaths could have been avoided. This, of course, is a very easy position for one to take, because we already know that Claudius is g uilty. It would be a much more interesting humans if one could be left uncertain of the true positions. Due to the popularity of Hamlet, the fact that Claudius is guilty is taken for granted, and so it seems unfortunate that Hamlet cannot act sooner, but without this knowledge acting too quickly would be a mistake. In the text, however, there is no clear evidence of wrongdoing until Claudius confesses his sins to God, his nephew, and the theater at large. Up until that point Hamlet is weighing the Ghosts story against the kings. The ghost accuses in Act I, but Hamlet is perceptive enough not to accept the being at its word. One thing that he realizes is that the Ghost is acting directly to his own emotions. It ... ...mbines the best qualities as his two foils the nobility of Laertes cause, and the instruction execution of Fortinbras coup. Fortinbras attacks without justice - his father died honorably in a fair fight, on the battlefield. Laertes has a larger grievance than Ham let, but must stoop to trick to complete his vengeance. Hamlet, however, remains true throughout, resisting his impulses until he cannot only perform Vengeance, but Justice as well. Works Cited and Consulted Bloom, Harold. Modern Critical Interpretations Of Hamlet. New York, NY Chelsea field of operations Publishers, 1986. Charney, Maurice. All of Shakespeare. New York, NY. Columbia University Press. 1993. Magill, Frank N. Masterplots. Englewood Cliffs, NJ, 1995. Shakespeare, William. Hamlet, Prince of Denmark. The Riverside Shakespeare. ED. G. Blakemore Evans. Boston Haughton Mifflin Company, 1974.